I think the
piece we studied in class, Marina Abromavic’s House with the Ocean View, is a creation that I personally think
embodies living in the now. By stripping herself of all extraneous items, she
allowed herself to be fully present. Although this is a very extremist way to
show the “right here, right now” I loved the ideas that this piece brought up.
Living with yourself, with others, and letting it be enough just to exist,
rather than occupying your time with the myriad of tasks that we feel the
“need” to accomplish every day. Although it blurs the line of theatre, art and performance
art, I feel as though it shows one of the most core values of what I believe theatre should be, and that is
human connection. I believe it is important to remember why we want to connect
via theatre, and that it is in an opportunity to be completely focused on one
specific moment in time, whether that is from an audience’s perspective or from
the actor’s perspective. I love theatre that is simplistic in form, and that is
something that I believe will help theatre practitioners to achieve living in
the present.
Monday, October 27, 2014
Prompt #8
Tuesday, October 21, 2014
Prompt #7
A theatrical production that I
would love to stage in a Found Space would be Seascape with Sharks and Dancer. In Asheville, NC there are lots of
bookstore/coffee shop spaces with shelves and shelves of books, magazines,
newspapers etc. I think that this would be an interesting environment to stage
this show, because originally, it calls for being in Ben’s house. Ben is a
writer who works in a library so it’d be an interesting adjustment putting it
into a bookstore/coffeeshop. It’d be interesting to put two actors in this
space after working on the show, and just see what they do with the
environment. The coffee shop that I’m thinking of specifically has different
levels, balconies and ladders, and would give them a unique environment to
explore.
I think in this case the framework
of a site-specific theatrical production would be an enhancement for both the
audience and the performer. It’d give the actors freedom, and allow them to completely go with their impulses rather than sticking to movements that were
one-hundred percent pre-determined. The audience would enjoy this added aspect of
spontaneity. Considering that the action of the
story is also quite energetic and spontaneous, I believe that putting it in a
found space similar to the original set desire would create a very interesting
dynamic.
I think there is some truth to
Kantor’s view, but I do not completely agree with it. Although it is true that drama materializes organically in day-to-day
life, I do not think that theatre has been completely neutralized. If that was
the case, humans as a society would not be drawn to it at all. Regardless of
the fact that we go through a rehearsal process to put on a show, when the run
of the show starts, there is still an aspect of unpredictability to the show. A
show can take on an emotional, unpredictable life of it’s own once an audience
is added, and I don’t think there is anything neutral about that. One of the
reasons that I love going to see theatre performances is to watch people make
new discoveries and new connections that they may have not ever realized before.
Drama is still materialized through theatre because the actors, as people,
change every minute of every day. No person is the same two-days in a row, and
so therefore every show will be different. I believe it’s about being able to recognize
that a show takes on a life of it’s own, as a result of the actors being
individuals that are on a constant journey.
Monday, October 13, 2014
Prompt #6
With the
development of other artistic mediums including technology, there may be a
“danger” of losing theatre as an artistic expression. However, I do not think
we ever will. There are so many reasons that traditional theatre has stuck
around for as long as it has. For example, many theatre practitioners are
familiar with the work of Shakespeare. His work appeals to such a large variety
of people, audience members and artists alike, so it still creates human
connections when it is performed. Audiences enjoy taking part in the tradition
that is, “a night at the theatre.” Experientially, film is a very different
experience. You walk into the theatre, sit down, watch the film, and leave. In
theatre, there is the experience of interacting with those around you and the
actors onstage during the viewing process. Nothing technological will every
completely replace humans, in one room, connecting over the art that is
occurring onstage. Although film creates the ability to view from different
perspectives, people are often much more fulfilled absorbing each other’s
energies in a room, which is why theatre will stay strong.
In this
technological era, it is nearly impossible to experience current events or
personal happenings without the influence of the media, specifically social
media. One example of this is the announcement that Highland Coffees was slated
to close. I was on facebook on my phone, mindlessly scrolling, when I noticed a
headline one of my friends had shared. The article was companied with a raging
rant against Hank Saurage, the property manager. In addition to being sad about
my favorite coffee shop’s potential end, I was also automatically extremely
angry by virtue of the fact that my friend who posted it was extremely angry. On
the one hand, it was a very impersonal way to find out about something so
personal. On the other hand, media actually benefitted the situation because
the people of Baton Rouge were given time to stand up and fight for something that
holds a special place in their hearts. The problem is that media takes issues
that are very emotional or intense, and makes them impersonal. Art and theatre
are making the effort to bring back the emotion and intensity. Part of the
reason that I love going to shows or art galleries so much is because of how in
tune with my emotions it makes me feel. The growing of technology and media
pushes people towards art forms, because it causes them to have to search for
some truthful human connection/emotion.
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